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Friday, April 21 [About the book:] When Dr. Seuss gets serious, you know it must be important. Published in 1971, and perhaps inspired by the "save our planet" mindset of the 1960s, The Lorax is an ecological warning that still rings true today amidst the dangers of clear-cutting, pollution, and disregard for the earth's environment. In The Lorax , we find what we've come to expect from the illustrious doctor: brilliantly whimsical rhymes, delightfully original creatures, and weirdly undulating illustrations. But here there is also something more — a powerful message that Seuss implores both adults and children to heed. - Amazon.com Reggio reuses techniques familiar from the previous film (slow motion, time-lapse, superposition) to dramatize the effects of the so-called First World on the Third: displacement, pollution, alienation. But he spends as much time beautifully depicting what various cultures have lost — cooperative living, a sense of joy in labor, and religious values — as he does confronting viewers with trains, airliners, coal cars, and loneliness. What had been a more or less peaceful, slow-moving, spiritually fulfilling rural existence for these "silent" people (all we hear is music and sound effects) becomes a crowded, suffocating, accelerating industrial urban hell, from Peru to Pakistan. Reggio frames Powaqqatsi with a telling image: the Serra Pelada gold mines, where thousands of men, their clothes and skin imbued with the earth they're moving, carry wet bags up steep slopes in a Sisyphean effort to provide wealth for their employers. While Glass juxtaposes his strangely joyful music, which includes the voices of South American children, a number of these men carry one of their exhausted comrades out of the pit, his head back and arms outstretched — one more sacrifice to Caesar. Nevertheless, Reggio, a former member of the Christian Brothers, seems to maintain hope for renewal. - Robert Burns Neveldine, Amazon.com |
